Synopsis: During a life-threatening space rescue mission, Jean Grey is hit by a cosmic force that transforms her into one of the most powerful mutants of all. Wrestling with an increasingly unstable power as well as her personal demons, Jean spirals out of control, tearing the X-Men family apart and threatening to destroy the very fabric of our planet.
Runtime: 113 minutes
MPAA Rating: PG-13 (for intense sequences of sci-fi violence and action, including some gunplay, disturbing images, and brief strong language)
Who should see it? Marvel fans who are eager to see the end of Fox's
X-Men Saga.
Written and directed by longtime
X-Men writer/producer Simon Kinberg as his feature directorial debut,
Dark Phoenix is the twelfth and, presumably, final entry in 20th Century Fox's
X-Men universe. In nineteen years, there have been six prior X-features, three spin-offs starring Wolverine, and two Deadpool side-adventures. Though the studio delivered a series of superhero installments with inconsistent quality and jumbled continuity, there were genuine gems among the bunch, and Bryan Singer's
X-Men was at the forefront of the comic-book movie craze alongside Sam Raimi's
Spider-Man in the early 2000s. Those films were largely responsible for driving interest in the cinematic superhero offerings seen today, so it's bitter-sweet to see the franchise come to an end on account of Disney's recent Fox acquisition.
One notable implication regarding the Disney/Fox merger is that Marvel Studios will finally have creative control over the Fantastic Four, X-Men, and other related comic entities. Free to integrate these popular comic characters into their cinematic universe, I imagine we'll see rebooted incarnations from Marvel and Disney soon enough. Of course, there are plenty of troubling concerns and silver linings pertaining to the merger, but that's a discussion for another day. Between numerous release delays and extensive reshoots,
Dark Phoenix experienced a troubled production and many wondered if
Dark Phoenix and
The New Mutants would ever see the light of day under Disney's dominion. While the jury's still out on
The New Mutants,
Dark Phoenix finally flew into cinemas this weekend but is looking to crash and burn with the lowest respective Rotten Tomatoes score and opening weekend box office gross of the entire franchise.
Honestly,
Dark Phoenix is far from the worst
X-Men film though.
X-Men Origins: Wolverine,
X-Men: The Last Stand, and
X-Men: Apocalypse are each more deserving of that distinction in my mind.
Dark Phoenix contains plenty of interesting ideas which are unfortunately fumbled in execution and will be overlooked due to some cheesy moments and awful dialogue. However, the bad is balanced out by moderately engaging action, a gifted ensemble, and another astounding score from Hans Zimmer. I genuinely appreciated the opening fifteen-twenty minutes, but the film teeters out and loses steam in the second act's sea of angsty melodrama. Above all, the biggest issue facing
Dark Phoenix is that we barely know this younger iteration of the X-Men, and Kinberg's narrative depends on audience investment.
Jean Grey, Cyclops, Nightcrawler, and Storm were all briefly introduced and scarcely developed as supporting presences in
X-Men: Apocalypse.
Apocalypse was overcrowded with characters, so barely anyone did anything remotely consequential in that movie or much less experienced character growth, but there needed to be at least one other film between
Apocalypse and
Dark Phoenix to flesh them out as individuals. Instead, the development occurs off-screen. As a result, I didn't really care about the team's melodrama because they'd barely been defined as characters.
As for the cast, most everyone gets a moment to shine in-spite of thin characterization. Sophie Turner never reaches her full potential as Jean Grey but does the best with what she's given and lends weight to the dramatic, under-written heel turn of her character. Turner sells Jean's conflicted and complex emotional state, as well as her menacing qualities when faced against her fellow mutants. On the other hand, Jessica Chastain portrays Vuk as an uninspired alien antagonist void of all personality. The character's meant to be detached, and her motivation's clearly laid out, but Vuk fails to resonate as a person of interest because it may as well be played by a cardboard cut-out of Chastain.
The
First Class crew of James McAvoy, Michael Fassbender, Nicholas Hoult, and Jennifer Lawrence reprise their roles for the fourth time, finally ready to bow out as Professor X, Magneto, Beast and Mystique. Fassbender and McAvoy continue to be series MVPs, lending further nuance to the ongoing debate between Charles Xavier and Erik Lehnsherr, while Hoult's Hank McCoy grapples with an emotional dilemma and Lawrence arrives to set caked in cheaper-looking blue make-up to collect her paycheck and fulfill the remainder of her contract. Carrying over from
Apocalypse, Tye Sheridan's Cyclops, Alexandra Shipp's Storm, Kodi Smit-McPhee's Nightcrawler, and Evan Peters' Quicksilver are unfortunately relegated to meager supporting roles with the occasional impressive display of their abilities. Their narrative contributions are inconsequential, and it's a shame that these characters were side-lined once more.
Viewers are ultimately left with a watchable superhero flick, but those are now a dime a dozen. The Fox
X-Men franchise finally burnt out, but I'm looking forward to seeing what rises from the ashes in the capable hands of Kevin Feige and Marvel Studios. Hopefully, Marvel can reignite audience interest in these classic comic characters.
Film Assessment: C
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